Thursday, November 19, 2009

A Christmas Carol | Charles Dickens

I was feeling a little down in the dumps about the state of the world the other day, after going to see an amazing talk by Dr. David Suzuki in Toronto. Since I had already finished my book club novel for November, I was free to choose something that I hoped would raise my spirits. Christmas is on its way, so I decided that something festive would brighten my mood. I must admit there aren’t a lot of Christmas books on my shelf, but there was one that I have been dying to read for a while now: “A Christmas Carol” by Charles Dickens. The other added benefit from this, is that I have yet to read any Dickens and I have felt entirely guilty for not doing so. How can someone who runs a book club for over two years and is a lover of literature not read any Dickens?

HISTORY

So, let’s start by talking briefly on the background of the novel and what was happening in the world at the time. “In May 1843, Dickens planned to publish an inexpensive political pamphlet tentatively titled, "An Appeal to the People of England, on behalf of the Poor Man's Child" [Wikipedia] which was intended to report the effect of the Industrial Revolution on the children of England. This pamphlet eventually became “A Christmas Carol” and was originally published on December 19th, 1843 as “A Christmas Carol in Prose, (Being a Ghost Story of Christmas)”. The book was written and published in six weeks.

Dickens was well known as being an advocate for the poor, which was largely based on his upbringing. In 1924, his father John was arrested for financial (debt) problems and at twelve years old, Charles was forced into working in a shoe polish factory where I would assume he worked in sub-par conditions. Dickens most well known work, “Oliver Twist”, was about a boy that escaped a workhouse and met a bunch of pickpockets in London.

MOVIES

I’m just going to start by saying that the book’s general plot lines follow what you have seen in most of the movies. The best “A Christmas Carol” is the 1951 black and white film Alastair Sim. Of course, for me, one cannot forget to mention my favourite as a child... “Mickey’s Christmas Carol.” Another, immensely popular version [and my girlfriend’s favourite] is “A Muppet Christmas Carol.” This year, another version of the film will come out in an animated version with Jim Carrey playing the voice of Ebenezer Scrooge, which so far has received mixed reviews.

DIFFERENCES FROM THE MOVIES
  • Scrooge believed he saw Marley due to undigested or undercooked food.
  • Marley unwraps his bandage around his head and his jaw drops to the floor.
  • After Marley left, Scrooge looks out the window to see many ghosts outside. 46
  • Spirit of the Past's image fluctuates... from one leg to twenty legs [and other fluctuations] 55
  • Dickens mentions Ali Baba, Valentine, Orson, Robin Crusoe, etc 61-62
  • Scrooge didn't dance with a woman at Fozziwigs [in many movies]
  • Scrooge didn't marry his lady friend, because she had no dowry
  • The Ghost of Christmas Present had 1800 brothers 89
  • The Ghost of Christmas Present sprinkled incense from his torch on their food to make people happy 95
  • The concept of Sunday's being a day of rest is explored 96
  • Scrooge's laundry is not boiled at the Cratchit house, but potatoes in the kettle.  Te Cratchits had lots of food, but I believe potatoes were a sign of being poor in England at the time.
  • I found it interesting that the concept of "surplus population" was explored 106
  • "Miners" were the very poor [not the Cratchits], and their situation is discussed 111
  • "It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good humour." 114
  • There is a game played with Scrooge's nephew called the "Yes and No" game.  The answer is "Scrooge" - this is supposed to be a jovial game, but it comes across as mean-spirited, in my opinion.
  • The spirits actually age - The Ghost of Christmas Present dies at midnight.
  • The Ghost of Christmas Present throws Scrooge's words back at him about why he will not give arms for the poor.  Scrooge's response then was about prisons and workhouses.
  • Men talk about Scrooge's death [in the future], , but not at a grave... the grave visitation comes later. 
  • People that owe Scrooge money are the ones rejoicing at his death.
  • Scrooge is shown his own corpse [in a room], before they visit the grave site.
That's what I have seemed to log as differences or things that caught my eye.  I'd recommend reading the book around the holidays... still a delightful story that gets you in the spirit of Christmas.

Sunday, November 15, 2009

Ernest Hemingway | The Sun Also Rises

Before I start my review I thought I’d take a journey back to see what other Hemingway works I have read:

A Farewell to Arms (1929)

To Have and Have Not (1937)

The Complete Short Stories (The First Forty-Nine: 1938)

For Whom the Bell Tolls (1940)

The Old Man and the Sea (1952)

True at First Light [posthumously 1999]

This list seems like a pretty good one, but it’s very evident that I missed the start of it all with “The Sun Also Rises”, which was written in 1926.

The meat of the novel was written utilizing one of Hemingway’s favourite backdrops, the bull fighting in Pamplona, Spain (Note: The first half of the novel is set in Paris, a common haven for writers at the time). In particular, this novel is set during a week-long fiesta some time after World War I ends. The book is narrated by Jake Barnes, a war veteran and writer who copes with life, like a majority of Hemingway characters, through excessive partying and alcohol.

The object of his fancy is a woman named Brett Ashley, but war wounds have left Jake sexually incapacitated, making him unable to physically be with her. Brett is engaged to Mike Campbell but is being pursued by uninteresting Jewish boxer Robert Cohn, who was involved with Brett for a weekend during her engagement. When Brett runs off with a young, Spanish bull fighter named Pedro Romero, Cohn shows his jealousy which takes us to the climax of the novel. Brett seduces every man to fall in love with her, and is somehow a tragic character despite being dislikeable and having the incapacity of staying faithful to anyone.

“The Sun Also Rises” is a portrayal of a beautiful woman’s effect on men and friendships and is my least favourite Hemingway work thus far. While the author does an amazing job of painting the landscape and shows us subtlety’s that only the vision of Hemingway could portray, the lack of sympathy and compassion he gives us for his Jake is uncharacteristic of his other protagonists. While his love and kinship with nature is expressed, the emotions of the main character are only briefly touched on, as are the deeper emotions of his other characters.

There’s just one more thing I wanted to document: the utilization of a beautiful metaphor. Robert Cohn was emotionally isolated from group of friends [Mike, Bill, Jake & Brett] and was being heavily ridiculed and chastised by Mike Campbell - he swooped in to deliver some painful blows. After the brutalization occurred, the group went to witness a bull fight where all the bulls isolated a particular steer while one bull went in for the kill and gorged the poor animal. Both events were painful to witness, and showed a piece of just how disgusting humanity can be.
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QUOTATION
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"You paid some way for everything that was any good.  I paid my way into enough things that I liked, so that I had a good time.  Either you paid by learning about them, or by experience, or by taking chances, or by money.  Enjoying living was learning to get your money's worth and knowing when you had it.  You could get your money's worth.  The world was a good place to buy in.  It seemed like a fine philosophy.  In five years, I thought, it will seem just as silly as all the other fine philosophies I've had.

Perhaps that wasn't true, though.  Perhaps as you went along you did learn something.  I did not care what it was all about.  All I wanted to know was how to live in it.  Maybe if you found out how to live in it you learned from that what it was all about." 153

Point Counter Point | Aldous Huxley

Reading Aldous Huxley’s “Point Counter Point” was like walking 5km through three foot snow drifts. The process is a complete struggle, you sweat, you curse and both your mind and body are exhausted by the effort... but in the end, you look at what you struggled through and think... “I’m glad I accomplished this, but I wouldn’t do it again.”

“Point Counter Point” was about the British aristocracy and detailed some of their musings about life, society and the people and structures within it. Unfortunately, the meandering through these opinions and elitist dialogue seemed random and disjointed. Huxley took us from one set of characters to another and from one thought or topic to another, with little to link everything together. Huxley ran the gambit from musings on science, ecology, sexuality, morality, politics, art and religion.

The characters within the novel proved to be unsympathetic and non-relatable, creating the inevitable slog through difficult terrain. That said, the point of the novel was to compare all these people to Mark and Mary Rampion, the implied protagonist couple. Not only was this one of the only couples not experiencing infidelity, but their outlook on life was a beacon for embracing one’s humanity.

Huxley’s message is to live life based on what comes naturally to you. Do not be concerned with trying to be too moral, because humanity in itself is not completely moral. Having material wealth and aspiring for financial gain is an artificial construct created by society and entirely irrelevant to life. Being human has more to do with emotions and physical needs – something that man has tried to stymie over the years because we feel it’s detestable. Huxley challenges that while some sexual acts are perverted, ones completed in the pure act of love are not.

In the end, the message is to live life like a man on a tight rope. Despite this being one of the most difficult challenges of life, it’s the balance that is most critical to being the best human you can be. The key is balancing yourself is being completely honest about your humanity in an effort to get back to the things that make us humans in the first place.

English landscapes and nature in general were not detailed throughout the novel, nor were many character descriptions presented. This novel was all about the thoughts and actions of the characters in an effort to show the reader how much we’ve neglected our own humanity by pursuing a life without a focus on balance.

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QUOTATIONS
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"Most habitual debauchees are debauchees not because they enjoy debauchery, but because they are uncomfortable when deprived of it.  Habit converts luxurious enjoyments into dull and daily necessities.  The man who has formed a habit of women or gin, of opium-smoking or glagellation, finds it as difficult to live without his vice as to live without bread and water, even though the actual practice of the vice may have become in itself as unexciting as eating a crust or drinking a glass from the kitchen tap." 221

"Everything's incredible, if you can skin off the crust of obviousness our habits put on it.  Every object and event contains within itself an infinity of depths within depths." 297

...
" 'When humanity's destroyed, obviously they'll be no more problem.  But it seems a poor sort of solution.  I believe there may be another, even within the framework of the present system.  A temporary one while the system's being modified in the direction of a permanent solution.  The root of the evil's in the individual psychology; so it's there, in the individual psychology, that you'd have to begin.  The first step would be to make people live dualistically, in two compartments.  In come compartment as industrialized workers, in the other as human beings.  As idiots and machines for eight hours out of every twenty-four and real human beings for the rest.'

'Don't they do that already?'

'Of course they don't.  They live as idiots and machines all the time, at work and in their leisure.  Like idiots and machines, but imagining they're living like civilized humans, even like gods.  The first thing to do is to make them admit that they are idiots and machines during working hours.  'Our civilization being what it is, this is what you'll have to say to them, 'you've got to spend eight hours out of every twenty-four as a mixture between an imbecile and a sewing machine.  It's very disagreeable, I know.  It's humiliating and disgusting.  but there you are.  You've got to do it; otherwise the whole fabric of our world will fall to bits and we'll all starve.  Do the job, then, idiotically and mechanically; and spend your leisure hours in being a real complete man or woman, as the case may be.  Don't mix the two lives together; keep the bulkheads watertight between them.  The genuine human life in your leisure hours in the real thing.  The other's just a dirty job that's got to be done.  And never forget that it is dirty and, except in so far as it keeps you fed and society intact, utterly unimportant, utterly irrelevant to the real human life.  Don't be deceived by the canting rogues who talk of the sanctity of labour and the Christian Service that business men do their fellows.  It's all lies.  You work's just a nasty, dirty job, made unfortunately necessary by the folly of your ancestors.  They piled up a mountain of garbage and you've got to go on digging it away, for fear it might stink you to death, dig for dear life, while cursing the memory of the maniacs who made all the dirty work for you to do.  but don't try to cheer yourself up by pretending the nasty mechanical job is a noble one.  It isn't; and the only result of saying and believing that it is, will be to lower your humanity to the level of the dirty work.  If you believe in business as Service and the sanctity of labour, you'll merely turn yourself into a mechanical idiot for twenty-four hours out of the twenty-four.  Admit it's dirty, hold your nose and do it for eight hours and then concentrate on being a real human being in your leisure.  A real complete human being .  Not a newspaper reader, not a jazzer, not a radio fan.  The industrialists who purvey standardized ready-made amusements to the masses are doing their best to make you as much of a mechanical imbecile in your leisure as in your hours of work.  But don't let them.  Make the effort of being human.' That's what you've got to say to people; that's the lesson you've got to teach the young.  You've got to persuade everybody that all this grand industrial civilization is just a bad smell and that the real, significant life can only be lived apart from it.  It'll be a very long time before decent living and industrialized smell can be reconciled.  Perhaps, indeed, they're irreconcilable.  It remains to be seen.  In the meantime, at any rate, we must shovel the garbage and bear the smell stoically, and in the intervals try to lead the real human life.' " 304-306
...
" 'You've got the wrong sort of pride,' she had told him. 'You're not ashamed of being a dunce and not knowing things.  But you are ashamed of making mistakes.  You'd rather not do a thing at all than do it badly.  That's quite wrong.' " 311

"He complained to me that both his children have a passion for machinery - motor cars, trains, aeroplanes, radios.  'It's an infection, like smallpox.  The love of death's in the air.  They breathe it and get infected.  I try to persuade them to like something else.  But they won't have it.  Machinery's the only thing for them.  They're infected with the love of death.  It's as though the young were absolutely determined to bring the world to an end - mechanize it first into madness, then into sheer murder.  Well, let them if they want to, the stupid little devils! But it's humiliating, it's horribly humiliating that human beings should have made such a devilish mess of things.  Life could have been so beautiful, if they'd cared to make it so.  Yes, and it was beautiful once, I believe.  Now it's just an insanity; it's just death violently galvanized, twitching about and making a hellish hullabaloo to persuade itself that it isn't really death, but the most exuberant sort of life.  Think of New York, for example; think of Berlin!  God!  Well, let them go to hell if they want to.  I don't care.' " 320

"They take the main intellectualist axiom for granted - that there's an intrinsic superiority in mental, conscious, voluntary life over physical, intuitive, instinctive, emotional life.  The whole of the modern civilization is based on the idea that the specialized function which gives a man his place in society is more important than the whole man, or rather is the whole man, all the rest being irrelevant or even (since the physical, intuitive, instinctive, and emotional part of man doesn't contribute appreciably to making money or getting on in an industrialized world) positively harmful and detestable.  The low-brow of our modern industrialized society has all the defects of the intellectual and none of his redeeming qualities." 322-323

" 'That's the enormous stupidity of the young people of this generation,' Mrs Quarles went on; 'they never think of life except in terms of happiness.  How shall I have a good time?  That's the question they ask.  Or they complain.  Why am I not having a better time?  But this is a world where good times, in their sense of the word, perhaps in any sense, simply cannot be had continuously, and by everybody.  And even when they get their good times, it's inevitably a disappointment - for imagination is always brighter than reality.  And after it's been had for a little, it becomes a bore.  Everybody strains after happiness, and the result is that nobody's happy.  It's because they're on the wrong road." 352-353

"A business man is just a man of science who happens to be rather stupider than the real man of science." 402

"The only truth that can be of any interest to us, or that we can know, is a human truth.  And to discover that, you must look for it with the whole being, not with a specialized part of it." 402

"This non-human truth that the scientists are trying to get at with their intellects - it's utterly irrelevant to ordinary human living.  Our truth, the relevant human truth is something you discover by living - living completely, with the whole man.  The results of your amusements, Philip, all these famous theories about the cosmos and their practical applications - they've got nothing whatever to do with the only truth that matters.  And the non-human truth isn't merely irrelevant; it's dangerous.  It distracts people's attention from the important human truth.  It makes them falsify their experience in order that lived reality may fit in with abstract theory." 402-403

The Ordinary Man:
"He can afford to have wings too, so long as he also remembers that he's got feet.  It's when people strain themselves to fly all the time that they go wrong.  They're ambitious of being angels; but all they succeed in being is either cuckoos and geese on the one hand or else disgusting vultures and carrion crows on the other." 405

"It's a damned sight better to behave like a beast - a real genuine undomesticated animal, I mean - than to invent a devil and then behave like one's invention." 405

"It's got about as much to do with us as the fact of this table being made of electrons, or an infinite series of waves undulating in an unknown medium, or a large number of point-events in a four-dimensional continuum, or whatever else Philip's scientific friends assure us it is made of.  As much as that.  That is to say, practically nothing.  Your absolute God and absolute devil belong to the class of irrelevant non-human facts.  The only things that concern us are the little relative gods and devils of history and geography, the little relative goods and evils of individual casuistry.  Everything else is non-human and beside the point; if you allow yourself to be influenced by non-human, absolute considerations, then you inevitably make either a fool of yourself, or a villain, or perhaps both." 406

"Nobody's asking you to be anything but a man.  A man, mind you.  Not an angel or a devil.  A man's a creature on a tight-rope, walking delicately, equilibrated, with mind and consciousness and spirit at one end of his balancing pole and body and instinct and all that's unconscious and earthly and mysterious on the other.  Balanced.  Which is damnably difficult.  And the only absolute he can ever really know is the absolute of perfect balance.  The absoluteness of perfect relativity.  Which is a paradox and nonsense intellectually.  But so is all real, genuine, living truth - just nonsense according to logic.  And logic is just nonsense in the light of living truth.  You can choose which you like, logic or life.  It's a matter of taste.  Some people prefer being dead." 406

"Leave the instincts to themselves and they'll do very little mischief.  If men made love only when they were carried away by passion, if they fought only when they were angry or terrified, if they grabbed at property only when they had need or were swept off their feet by an uncontrollable desire for possession - why, I assure you, this world would be a great deal more like the Kingdom of Heaven than it is under our present Christian-intellectual-scientific dispensation." 407

"Telling them to obey Jesus is telling them to be more than human.  And, in practice, trying to be more than human always means succeeding in being less than human.  Telling men to obey Jesus literally is telling them, indirectly, to behave like idiots and finally like devils." 408

"That's the trouble: when you're up against non-human things and people, you invariably become non-human yourself." 409

"The world's full of ridiculous God-snobs.  People who aren't really alive, who've never done any vital act, who aren't in any living relation with anything; people who haven't the slightest personal or practical knowledge of what God is.  But they moo away in churches, they coo over their prayers, they pervert and destroy their whole dismal existences by acting in accordance with the will of a arbitrarily imagined abstraction which they choose to call God." 426